So much goes on behind the scenes at a museum. Temporary walls are constructed and later torn down. Text is affixed to walls and later scraped away. Pedestals are arranged and then removed to be returned to storage. Lights are adjusted and re-adjusted. Art is moved and shipped and stored. Objects are arranged with thoughtful precision.
The much-anticipated Anselm Kiefer sculpture, Asche für Paul Celan, arrived on Thursday, September 8. Weighing in at 2,989.50 pounds, it took three OJAC staff and two fine art shippers to unload its four crates from the climate-controlled truck with the help of a pallet jack, J-bar, and multiple four-wheel carts. First, the artist’s concrete rubble was laid on the floor like a mattress to support the boat and hold it in place. Next, the crate with the 13-foot lead boat was rolled in alongside the rubble and the boat was carefully eased onto the floor by hand. Next came the seven lead books, which were arranged and stacked according to the artist’s specifications. Finally, more concrete debris was placed on the floor surrounding the boat. The installation took a team of five, two hours to complete. Next, lights will be set, scuff marks removed from the floor, and an informative text panel will be installed on the wall.
I can describe it, and offer images of Kiefer’s work, but it, like all art, is meant to be seen in person. I encourage you to come experience this monumental work. Forget all the logistics of getting it here and take a moment to sit quietly amid its presence.
Asche für Paul Celan will be on exhibit through May 20, 2023.
Amy Kelly
Registrar
